It took 25 years, but Fournier brought order to the technique of painting in three dimensions by experimenting with sunlight refracted through a prism onto different-coloured papers. Background objects float disconcertingly ahead of foreground ones. We ignore all that because the marketplace is saying, ‘Yes, we love this stuff.’ ”Īny painting or image with strongly contrasting colours, especially blues, greens, reds and yellows, will have some elements advance or recede when viewed with the 3D glasses, but the effect is chaotic. “You’ll always have purists and stuck-in-the-muds who want to pooh-pooh something. John Webster, who has owned the gallery since 1979, bristles at that. Webster Galleries has sold more than 1,000 Fourniers since 1992, and they command anywhere from $1,000 to $12,000 for the largest works.Ī few galleries spurned his approach as gimmicky. His simple, curvy cottages, bendy people and wobbly trees seem like meltingly tender remembrances of a tranquil childhood, even though his was far from idyllic. Brimming with intense colour and whimsy, they often depict scenes of snowy Quebec villages populated by kids tobogganing, skating or playing hockey. In a world where 3D is featured mainly on screens, Fournier, after decades of effort, brings extraordinary depth to canvases with nothing more than oil paint and brushes.Įven before he shifted to his “multi-dimensional” works five years ago, Fournier’s paintings stood out. Fournier, 59, doesn’t need the gawky Chromatek glasses to see, but rather to visualize. Black-framed glasses are perched atop Réal Fournier’s head as he sits before a painting at Calgary’s Webster Galleries.
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